LH Labs via Audiobility are launching their new high-end mini Headphone Amp/DAC in to the UK, the Geek Out V2. This initial launch in the UK over the next few months will be offering a 15% discount via indiegogo with delivery before the holidays. Launch offer starts from $254.00gov2plus_diagonal

Geek Out V2 has selectable gain settings of 1000mW & 100mW. “Geek Out V2 pairs perfectly with those monstrous power hungry cans or your uber-sensitive IEM’s” says the company’s recent press release.

You can now play any music on the market today from MP3’s all the way up to 32/384 kHz and DSD 128 ultra-high-resolution files. The V2 + version has a built in battery so this Headphone Amp/DAC can be completely portable.gov2_horizontal

There is also an Infinity version which has the added benefit of a third gain setting of 450mW, plus a third digital mode to optimize the DAC for streaming music through services like Tidal. Its THD performance is further improved by -3 dB.

 

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14. October 2015 · Write a comment · Categories: Hifi News · Tags:

Of course Hifi Pig covered he launch of Chord Electronics new Mojo live from the Shard on Facebook and Twitter so our readers could be the first people in the world to get information about this product. We also covered the news item as soon as we had the info available, but now we have a series of official photographs for you to enjoy.

CHORD Mojo and Plugsn Chord Mojo_downWHTn Chord mojo_inHand1n Chord mojo_PowerBLUE Chord mojo_TopN

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Janine Elliot takes a listen to the NuForce DAC80 Digital to Analogue Converter and the company’s HA200 Headphone amplifier. Linette Smith then takes the HA200 for a second opinion. More »

Quad continues to mark its 79th year with the arrival of Artera, their new range of high-performance audio electronics. First to arrive are the Artera Play and Artera Stereo; the Play is a CD player, DAC and preamplifier combined in a single chassis, while the Stereo is a power amplifier sporting Quad’s famous Current Dumping technology.4158_Artera_Play_and_Stereo_(black)

Quad gave its team of designers and engineers a specific brief for Artera: “combine the qualities that have made Quad one of Britain’s most revered hifi marques for many decades with fresh industrial design and the very latest high-performance audio technologies”. To this end, Quad enlisted the help of Rodney Mead, the man responsible for the styling of many classic Quad products in the 1970s, ’80s and ’90s, to brainstorm design concepts that would lead to Artera.

Artera have a textured aluminium front panel, thick glass top and CNC-routed heat sinks on either side. The housing provides a rugged structure that resists interference from external vibrations, and the Artera Play’s fascia incorporates a touch-sensitive control.

Quad Artera Play 

At the heart of the Artera Play nestles the ESS Sabre32 9018; a 32-bit, eight-channel hybrid multi-bit Delta-Sigma DAC. This is Quad’s first component to utilise the ESS Sabre DAC, and external digital sources can benefit from it via a range of digital inputs. These include USB, with support for PCM data up to 32-bit/384kHz and also DSD64/128/256.4162_Artera_Play_(black)

For CD replay, a new slot-loading mechanism buffers data from the disc before feeding it asynchronously (in order to minimise ‘jitter’) to the DAC section. Four digital filter options enable users to tailor the Artera Play’s sound, with both CDs and external digital sources, to suit personal taste and the nature of the source material.4161_Artera_Play_(rear)

The Artera Play’s preamp section boasts a balanced Class A output stage. Two coaxial and two optical inputs cater for external digital sources alongside the USB input, with a pair of RCA phono inputs handling analogue sources. Analogue outputs are supplied in both single-ended RCA and balanced XLR varieties; a pair of digital outputs (optical and coaxial) and a 12V trigger output complete a comprehensive array of connectivity options.

Quad Artera Stereo 

This compact yet potent power amp sports the latest iteration of Quad’s famous Current Dumping topology, first introduced in the Quad 405 – one of the most lauded British audio components of all time and still the only amp design to have earned a Queen’s Award for Technological Achievement.

Current Dumping is essentially a method of marrying Class A amplification with the greater efficiency of Class AB. A high-quality, low-power Class A amplifier provides the signal quality, while a high-power current dumping section delivers the muscle to keep the speakers under control. These two amp circuits are combined via a network to impose the finesse of the Class A output onto the power of the current dumper.4171_Artera_Stereo_(black)

The Artera Stereo’s power output is conservatively rated at 140W per channel into eight ohms and 250W into four ohms, ensuring any speakers – including Quad’s classic ESL electrostatic designs – can be driven with ease. Connectivity options comprise single-ended RCA and balanced XLR inputs, a 12V trigger input and high-quality speaker binding posts.4168_Artera_Stereo_(rear)

Speaking about the inspiration behind Quad’s new Artera range, Peter Comeau, Director of Acoustic Design at Quad’s parent company IAG, commented:

“The traditional spirit of Quad has always been to cater for the latest developments in music storage and playback, whilst continually striving to meet the standards inherent in the company’s motto, ‘the closest approach to the original sound’. Thus, the Artera series of components includes full digital and analogue playback capabilities with the resolution and accuracy to replay all current and future high-resolution audio sources with the most musical presentation.

“However, today’s consumers are often bewildered and confused by the multiplicity of inputs and controls on modern hi-fi equipment. At Quad, we have never believed that you have to be a ‘hi-fi geek’ to be able to play music at the highest performance level. Artera therefore simplifies the user interface, leaving an uncluttered appearance that is welcoming to all users as well as looking beautiful in the home.”

The Artera Play and Artera Stereo are available now, with a choice of black or silver front panels and RRPs of £1,399.95 and £1,499.95 respectively.

 

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Bryston has announced today the introduction of the BDA-3 digital to analogue converter (DAC), the company’s highest resolution DAC to date. Target MSRP for the BDA-3 is $3495 USD with a delivery date to authorised dealers of November 1st, 2015. BDA3-1a

The Bryston BDA-3 is different from prior Bryston DAC’s in that it adds DSD playback. The BDA-3 can decode up to DSD-256 through the asynchronous USB inputs and has the capability to accept SACD input via HDMI. For maximum flexibility, the BDA-3 has ten discreet inputs including four 2-channel HDMI, asynchronous USB, AES/EBU, TOSLINK, and digital coax. It also includes Bryston’s network module, which facilitates control via TCP/IP and RS-232.BDA3-2a

The Bryston BDA-3 utilizes a brand new decoding chipset that can decode up to 384 kHz/32-bit PCM music and up to DSDx4 natively. Each format is processed in its native resolution. Additionally, Bryston’s re-clocking circuit reduces jitter to “nearly immeasurable levels”. Bryston’s proprietary analogue section is completely free of integrated circuits (ICs).BDA3-rear 29

“High performance and versatility were the benchmarks that we established for the BDA-3 when we began working on the design,” commented Bryston CEO Chris Russell. “We wanted to create the ultimate DAC for traditional audiophiles as well as those enthusiasts using a computer-based system. The USB and HDMI interfaces deliver the extremely high bit rate that consumers demand while ensuring compatibility with high-performance computer-based music playback systems and combination stereo and multi-channel theater systems. With our vast array of available inputs, the BDA-3 is compatible with just about any digital source, enabling enthusiasts with older SACD or universal players to benefit from the performance of this advanced new DAC,” Russell concluded.

 

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Aurender introduces the new UC100 as an accessory for Aurender Music Server models that only provide a USB digital output.

It is a USB Asynchronous Audio 2.0 to SPDIF converter developed to allow for the interface of current (and earlier) Aurender servers N100 / N100H / X100L to DACs that do not provide a USB input.Aurender_spdif_converter

Additionally, the UC100 can allow Aurender Music Servers to interface with active loudspeaker systems that incorporate built-in amplifiers, DSP and DACs. In this application running a Coaxial cable to the loudspeakers from the UC100 is required.

The UC100’s input is High-Speed USB 2.0; output is SPDIF (Coaxial RCA 75 Ohms). Supported word lengths: Up to 24-bit; Supported sampling rates: Up to 192 Khz. Supported DSD: DSD64 supported with DoP.

The machined aluminium case measures 5.7” L x 1.18” H x 2.12 W. Suggested Retail Price is $499.00. Availability: November.

 

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Aurender introduces the N10 Caching Music Server/Player. Designed to be used with high performance digital-to-analogue converters, the Aurender N10 is the only Music Player to support on-the-fly precision DSD to PCM on SPDIF and AES/EBU outputs with user-selectable choice of 88.2 or 176.4 output sampling rate says the company’s press release so you can enjoy DSD files even if your DAC isn’t capable of native DSD playback.Qurender8nezs2

There’s 4TB of (2TB x 2) internal hard disk space and a 240GB solid-state drive cache for playback.

The Aurender N10 is equipped with various SPDIF outputs (BNC, AES/EBU, coaxial, optical) and one dedicated USB Audio Class 2.0 output. For network connectivity and file transfers, the N10 comes with one a Gigabit Ethernet port and two USB 2.0 data ports.Qurender_dsd

More advanced Oven-Controlled Crystal Oscillator (OCXO) for the greatest jitter reduction. OCXOs are among the most accurate and stable clocks in use today, and are orders of magnitude more accurate and stable than commonly used ordinary crystal oscillators usually found in computers the company say. Temperature changes cause crystal oscillations to fluctuate, which can lead to jitter in the digital audio signal. Moreover, ordinary crystals are much less stable and lose accuracy over time. In OCXO clocks, a very stable, high-grade crystal oscillator is enclosed in a compartment and kept at a constant temperature to prevent jitter from temperature fluctuations. In conjunction with the OCXO is a Field Programmable Gate Array (FPGA) based All-Digital Phase-Locked Loop system precisely times the digital data transmission reducing jitter to near immeasurable levels.

Aurender’s Conductor App turns an iPad or Android (Lite Version) into a versatile user interface for Aurender Music Server/Players. All settings and functions of the Aurender Server/Music Player can be accessed through the Settings menu, and the Aurender App comes with extensive features to make managing, viewing and playing high-resolution music collections — including TIDAL.

Sending a Remote Support Request through the Aurender App allows the company’s engineers to quickly diagnose and fix problems over the Internet.

Available in silver or black finishes, the N10 measures 16.93” W x 3.27” H x 13.9” D. Available now, the N10’s Suggest Retail Price is $7,999.

 

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sDP-1000EX from sOTM Audio is a high-end D/A converter and pre-amplifier with a USB audio function which supports DSD playback and has a battery power supply. 

USB audio uses an asynchronous mode to connect the digital audio source device such as a PC. It can playback a 32 bit/192KHz PCM signal (maximum) and DSD signal. In addition, the sound quality from the input source can be improved by the specially designed high performance clock and 32 bit up-sampler circuit.

All audio circuit parts including the DAC and preamplifier volume control are fully balanced circuits.  Not a single coupling capacitor is used in the audio signal path.sDP-1000_Front-e1418872157602

It has two battery packs installed, with one battery providing power whilst the other charges and switches between these functions automatically, so there is no additional work needed once it’s connected to a power supply for charging the battery. The sDP-1000EX will work continuously via battery power only.sDP-1000_Rear-e1418872178836

Features

SB input

USB specification 2.0 or higher

USB audio class 2.0

32bit/192KHz PCM & DSD playback

Native ASIO support

Optical, Coaxial, AES/EBU input

Max bit-depth : 24bit

Sampling rate : 32KHz, 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz

Impedance

Coaxial, BNC : 75Ω

AES/EBU : 110Ω

Balanced input

Max input voltage : 4 Vrms

Input impedance : > 10kΩ

Frequency range : 20~20KHz @ ±0.1dB

Unbalanced input

Max input voltage : 4 Vrms

Input impedance : > 10kΩ

Frequency range : 20~20KHz @ ±0.1dB

Balanced output

Output voltage at 0dB : 3.8 Vrms ±5%

Output impedance : 47Ω ±5%

Frequency range : 20~20KHz @ ±0.1dB

THD : < 0.003% @ 1KHz, 0dB

Unbalanced output

Output voltage at 0dB : 3.8 Vrms ±5%

Output impedance : 47Ω ±5%

Frequency range : 20~20KHz @ ±0.1dB

THD : < 0.003% @ 1KHz, 0dB

Volume control

Setting range : -75 ~ +10dB, 0.5dB step

 

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The name of this French DAC/PRE derives from the word étalon, meaning standard, or measuring device. Dominic Marsh gets to grips with the 7530 unit and spills some blood for his art. More »

Romanian manufacturer Rockna Audio say they are proud to announce their new Wavedream DAC series.

There are 2 main models in the Wavedream series omprising of:

  • Edition (featuring Rockna RD-1 discrete DAC modules)
  • Signature (featuring Rockna RD-0 discrete dac modules).WD-SIG-TOP

Each version can be ordered in single ended or balanced configuration and In addition to the Femtovox clock system, both Edition and Signature benefit from a new discrete output stage and improved power supply section.
RD-1 module has a 26-bit ladder structure, while RD-0 is a 27 bit ladder structure. Both are FPGA-based, meaning they have their own (upgradable) firmware.WD-SIG-TOPS

New Wavedream firmware will feature a new powerful upsampler (custom made using DSP blocks) to 768k (apodizing response) and will add DSD256 support.

 

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French company Devialet have taken the audio world by storm since they launched and Stuart Smith now takes a listen to their £5590 Ensemble package. More »

Dan Worth takes a listen to this well specified integrated amplifier (£2000) complete with its MM30 Media board (£1250)

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Lampizator have announced a new DSD Only DAC called Eufonia. It will cost 1800 Euros plus taxes.

The company’s website claims that this signals the death of CD and there will be no more AES/EBU inputs and no more Toslink. The DAC will play normal normal red book CDs as DSD via the computer which they say will have a better sound quality than is achievable from PCM files directly.lampizatoreufonidsddac

The DSD engine in the Lamizator Eufonia is the same as in the Level 4, Big 5, Lite 7 and Big 7 DACs and the fully analogue tube stage is from their Amber project but with an improved circuit and tube section…

The Eufonia will auto detect DSD 64 and 128 and uses Amanero USB input 2 which is future proofed to 512x DSD. There will be auto muting of DSD artifacts and the Eufonia will use exclusively Jupiter Tin paper caps.

Tubes can be ECC81, ECC88, ECC82 or any equivalents and there’s a 6X5 tube rectifier diode in the tube power supply.

Outputs will be single ended with no option for XLR and it will be available with black or silver front panels.

 

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Following on from the recent news of their appointment of distribution for their new NADAC (Network Attached DAC) in the USA earlier this week,  Merging Technologies of Switzerland have announced their European and Australasian distributors.  Digital Audio Service are handling Germany and Austria, eMerging the UK, Merging Denmark takes Scandinavia, the Benelux region is taken care of by Edison, Italy by VDM and France by Synergie-Esoteric.  In Asia, new company Merging Fidelity will appoint local representatives in the Chinese Mainland, Hong Kong, Macau and Taiwan. Syncfish handle South Korea, Modi Digital will distribute in India and Electori of Japan will be distributing there and launching NADAC at the Tokyo International Audio Show running from 25th to 27th September.  Australia and New Zealand will be handled by ATT Audio Controls in Melbourne.NADAC_news_28Aug

Merging Technologies Sales and Marketing Manager, Chris Hollebone remarked; “We believe we have an exceptional team in the Asia/Pac Rim region.  There are still important countries where we need to find the right partners so we are taking out time to research companies that share our values.  This is a proven formula for success and we know that NADAC deserves the best possible support in this vital market.”

 

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Merging Technologies has announced that On a Higher Note, LLC has been appointed as the exclusive distributor for USA and Canada for its new NADAC products. This agreement covers the consumer market and the high-end audio industry, tapping On A Higher Note’s network of retailers and custom installers.NADAC-FrontLeft1-Transparent-Shadow

Considerable interest in NADAC has come from the professional community that has been Merging’s main market for 25 years. In recognition of the need to service that market with continuity, Independent Audio of Portland, Maine will add NADAC to its existing portfolio of Horus, Hapi, Pyramix and Ovation.

“Getting master quality audio into the home is the holy grail.” commented Merging’s President, Claude Cellier. “Our professional customers including artists, sound engineers, singers and producers have won hundreds of Grammys® over the years. NADAC makes their great sounding music accessible anywhere and allows these amazing recordings to be presented as the artists and producers intended.”
On a Higher Note’s Founder and President, Philip O’Hanlon, is excited about the first-to-market advantage Merging Technologies’ new integrated network DACs possess. “There is no doubt that the NADAC performs exceptionally well, offering high fidelity multi-channel analog to digital music conversion with the highest sampling rates and formats. We are thrilled to have the opportunity to bring this smart DXD and DSD compatible whole-home audio streaming solution to our dealer base. For the first time, music lovers can enjoy superb sonic transparency along with the convenience of being able to expand into a multi-zone, multi-source networked environment.”

The RAVENNA/AES67 network technology was specifically designed for audio use and removes traditional clocking and jitter problems between the host and the DAC. It also removes any cable length limitation allowing complete multi-room and multi-zone control with multiple hosts and multiple DACS being simply connected. Merging realised the potential of this technology and worked with the RAVENNA developers to ensure that DSD and DXD sampling rates could be easily handled with sufficient channels for the new immersive sound formats as well as the existing catalog of surround files.

 

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Leema Acoustics is now shipping its DAC/preamp, Libra. A featured-packed high-resolution ‘digital hub’, the new Libra DAC/preamp (£5,995) allows users to get the latest sound quality from their digitally connected devices.

Designed and built by Lee Taylor and Mallory Nicholls (Leema), Libra’s simple-yet-elegant looks conceal a vast array of technologies. The new Libra crystallises Leema’s decades of experience in digital audio for professional studios worldwide.

Music lovers can now apply the very latest audio technology to their digitally stored music, connecting via USB and Bluetooth to phones, tablets, laptops and more. Plus, serious audiophiles can plug-in via a class-leading array of high-end connectivity options (including some ‘pro’ options. libra_fronangle_news

The high-resolution Libra DAC has been designed for today’s (and tomorrow’s) HD audio world and is fully future-proofed say Leema. In addition to standard audio playback from common devices, the Libra also offers extreme high-resolution playback  when used with the increasing number of high-res music downloads available today – Libra will playback: DSD 64; DSD 128, DXD and 384kHz PCM via USB – playing music at recording studio quality.

The new high-resolution DAC/preamp contains Leema Acoustics ’ new f ul ly balanced Quattro Infinity dual-mono DAC modules which are field-  replaceable; should conversion technology improve in the future, the modules can be  upgraded, giving long-lasting flexibility throughout the product’s lifespan. The advanced Quattro Infinity modules also feature user-selectable output filters, so you can tailor the sound to your own preference.

The Libra boasts a range of connectivity options for the digital age, bringing the latest digital audio engineering to a wide range of connected devices. The Libra offers three coaxial and three optical inputs, capable of accepting high-resolution 24-bit/192kHz audio. For super-high-end partnering equipment, the Libra also offers some more esoteric options, including two I2S inputs via RJ45 connectors. With fully programmable pin-allocation on one of these inputs in software, any high-end source with an I2S interface can easily be accommodated. Source components with professional standard AES/EBU outputs can also be connected: the Libra offers two input connections available via industry standard XLR connectors. Libra_rear_news

Leema’s M1 USB module provides a connection for computer audio replay from both Windows (driver software included), Macintosh and Linux machines. This interface is fully asynchronous, allowing the Libra to precisely regulate the data rate coming from the computer and deliver incredibly low jitter levels. This feature, together with full galvanic isolation using cutting-edge spinning-electron technology, ensures that music delivered over USB is as good as current technology will allow  says the company’s press release.

Libra can be used as a preamp – simply connect it to a power amp or active loudspeaker and your all set to play music. Libra offers three separate analogue inputs, each of which can be individually configured as unbalanced, via RCA Cinch connectors, or fully balanced via XLR connectors. The entire signal path, both digital and analogue, is fully balanced from the digital data stream, to the balanced analogue outputs.

The Libra is able to operate either as a conventional audio component with fixed output level, or as a pre-amplifier with full analogue volume control on-board. Outputs are provided via unbalanced RCA/Cinch connectors and balanced XLR connectors. Libra is also a full LIPS* controller and can control Leema Acoustics’ range of power amplifiers directly.

Libra also has an optional Bluetooth interface, allowing high-quality music replay from suitably equipped tablets, smartphones and other compatible devices, quickly, easily and wirelessly. For personal listening, a headphone amplifier is also included, further enabling the Libra as the ideal single-box D/A conversion solution. 

*LIPS is an acronym of Leema Intelligent Protocol System. It is a communication bus that enables Leema Acoustics components to communicate with other units in the range. The communication enables simple control of power on/off from one unit, right up to the control of all functions in a Leema Acoustics system, comprising up to 15 individual components.libra_no_li_news

The Libra DAC/preamp is priced at £5,995 and is available now.

 

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Roksan Audio announce the latest addition to their Kandy K3 series of hi-fi electronics – the K3 CD Di joins the range as a combination CD Player and Digital-Analogue Converter (DAC), opening up a K3 system to more music sources than ever before.K3 CD Di

The idea behind the CD Di is to provide audio enthusiasts with a high-quality digital source that will not only play an existing CD library, but will also host an array of other digital sources as one audiophile ‘hub’. By incorporating both the CD player and the DAC into one box, users can both save space by avoiding the need for extra boxes and guarantee consistent audio performance across all digital platforms.

The CD section of the CD Di is based on the established K3 CD (which will remain in the range as a stand-alone CD player).

The DAC section of the CD Di features both optical and coaxial digital inputs that are capable of handling data streams up to 24-bit/192kHz, so a variety of alternative digital players can also be connected to it. The digital inputs are selectable via the use of a three position rocker switch underneath the unit.

Aesthetically the CD Di perfectly matches the rest of the K3 series, except for the inclusion of a bi- coloured LED that sits underneath the front plate. The LED illuminates to highlight which digital source the unit is currently set to (Coaxial = White LED, Optical = Blue LED).

The K3 CD Di brings all your digital music into one place, delivering one consistent, highly-regarded sound performance to your hi-fi system. With a variety of input and output options to utilise, it expands the capabilities of K3 further than ever before. K3 CD Di Rear Panel

Technical Information

Operating System:   CD Digital Audio System (CD, CD‐R, CD-RW)

Frequency Response:   20Hz – 20kHz (± 0.2dB)

Harmonic Distortion:   <0.002% @ 0dB, 1kHz

<0.006% @ -30dB, 1kHz

<0.002% @ 0dB, 20Hz

<0.008% @ 0dB, 20kHz

Intermodulation Distortion:   <0.0015% @ 0dB S/N Ratio (IHF-A Wtd.):   <96dB L&R

Wow & Flutter:   Quartz Precision

Channel Separation:   100dB @ 1kHz 80dB @ 20kHz

Output Voltage:   2.2V rms

Digital Inputs:   1 x 75Ω Coaxial (RCA) 1 x Optical (Toslink)

Digital Outputs:   1 x 75Ω Coaxial (RCA), 1 x 110Ω Balanced AES/EBU (XLR), 1 x Optical (Toslink)

D/A Conversion:   PCM1730E Advance Segment, Audio‐Stereo DAC

Resolution / Sampling:   24 bit / 192kHz

Oscillation:   3rd Overtone Oscillation

Crystal:   Super Precision, Custom Made

Jitter:   <150psec

Idle Pattern:   <‐107dB

L&R Stop‐Band Rejection:   <‐98dB

Power Supply:   High Performance Toroidal Transformer 7 Fully Regulated Power Rails

Power Consumption:   <15W

Dimensions (W x H x D): 432 x 380 x 105mm (Incl. Feet)

SRP £1,300.00

 

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20. July 2015 · Write a comment · Categories: Hifi News · Tags: ,

The Kassandra uses the AD1865 chip, an 18bit R2R converter, which they say is probably the best sounding audio DAC …in fact they use 32 of them,16 converters per channel. KAssandra_2_DAC

The 16 converters in each channel work in complimentary mode, so that 8 converters are inverted. The two differential converter banks work in synchronicity  to achieve perfect symmetry. The 16 converters are working in current mode,and use an INtransformer so that the current differential is converted in single ended voltage output. No resistors or OPAMPS are used in the INconversion stage.

The analogue stage is implemented by a single ended transformer coupled triode stage, using the E280F,working in triode  mode, loaded with a  step down output transformer. The tube’s grid is driven by the secondary of the INtransformer  via an adjustable bias supply. The tube  power  supply is an oversized choke regulated supply. The step-down transformer  reduces the output  impedance  to 40ohms, with a maximum swing at full scale of 30Vpp sine wave.

The converter is equipped with an internal super-clock, which re-clocks the converters, making the processor virtually immune to transport changes, says the company’s press release. With the internal clock, there is no need for a word clock input. The super-clock re-clocker can be bypassed on the fly, so you can hear the effect of jitter elimination in your system.

The Kassandra Mk2 is available is signature version, with  upgraded power supplies. The Signature’s power supply is a complex system of a total of 8 toroidal transformers, for full separation of digital section, analogue supplies, clock supply and the tube circuits.

 

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09. July 2015 · Write a comment · Categories: Hifi News · Tags: ,

Funjoe from CLONES got in touch to tell us about the release of their new DAC, Asher, named after Funjoe’s son.clones_asherdac

The details of the new HK$17,500 DAC are as follows:

  • DSD 64/128/256 and DXD (384KHz 24bit PCM) compatible
  • Galvanic isolation module for USB section to eliminate computer noise from the audio signal
  • Ultra-Low Phase Noise Femto Master Clock Module
  • Power supply has separate toroidal transformers for analogue and digital section
  • Latest Ultra-Low noise discrete regulator modules for digital part
  • Remote Control Feature

Sampling rates:

  • AES/EBU, COAX, OPT up to 192kHz
  • USB/I2S: PCM 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384kHz; DSD64, DSD128, DSD256

Features:

  • ESS Reference audio (ES9018) 32 bit DAC
  • Automatic oversampling for precise output filtering
  • VFD display for input, sample rate, volume control, and configuration
  • Remote control with features such as control and phase inversion
  • Defeatable – 32 bit volume control
  • 1x Coax input
  • 1X BNC input
  • 1x Toslink input
  • 1x AES/EBU input
  • 1x I2S input
  • Proprietary drivers for 32/64 bit Windows XP, Vista, 7 and Mac OSX
  • Factory selectable mains  115/230VAC
  • 322mm(W) X 260mm(D) X 90mm (H)
  • Weight: 6kg
  • 2 year warranty

 

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08. June 2015 · Write a comment · Categories: Hifi News · Tags: ,

The Aesthetix Romulus DAC & CD transport, and sister DAC the Pandora, are now available in enhanced ‘Signature’ editions.Aesthetix Romulus black
Widely known as “masters of analogue” and obsessed with natural sound quality, California-based Aesthetix took their time before venturing into the digital domain. But they are no strangers to digital: Founder and chief designer Jim White spent his formative years with a leading digital audio company. “I could have made a DAC years ago”, says White, “but I want every product under the Aesthetix brand to be something special, so I took a decade to amass ideas for unique innovative technologies that would break new ground in natural sound reproduction from digital audio.” The Romulus and the Pandora are the products of that ambition.

The Pandora is a valve-based DAC with one USB and three SPDIF inputs (plus an optional second USB input). The Romulus includes the same features and construction as the Pandora, but adds a CD transport mechanism.

A key element in achieving that ‘un-digital’ quality in both the Romulus and Pandora is the digital filtering, which has a significant impact on a product’s sound. While many DACs use the same off-the-shelf filter and DAC chip (and hence all sound very similar), Aesthetix use proprietary DSP running on a Motorola DSP56362 chip. This custom approach allows for more sophisticated filtering techniques and, crucially, for tailoring the filter’s sound to the product as a whole.

The filter’s outputs are converted to analogue by a Burr-Brown PCM 1792A running in pure differential mode: a critical implementation feature that only amplifies the audio signal itself, cancelling noise and other digital artefacts.

The clock section of a digital product is critical for audio performance. Any jitter or noise will cause clearly audible consequences. While most DACs use an off-the-shelf crystal oscillator to regulate the timing, Aesthetix use custom-manufactured crystal oscillators to deliver radically lower jitter and noise than any standard issue part.

Aesthetix’ reputation for state-of-the-art analogue stages is continued in the Romulus and Pandora, both of which feature a current-sourced fully differential zero feedback valve amplifier. Differential amplifiers have the unique ability of rejecting common mode noise, while ground noise is reduced by using two separate, discretely regulated positive and negative power supplies for the voltage gain section. Output buffering is also run in pure differential mode with zero feedback – a unique configuration providing much of the benefit of balanced operation for single-ended outputs. The output section also has separate discretely regulated positive and negative supplies which are completely isolated from the voltage gain power supplies.

The use of a single transformer to supply all circuits carries a risk of noise. The Pandora therefore features three separate transformers. First, the digital / DSP section is given its own transformer and regulated power supply, while individual digital sections are further locally regulated to isolate them from each other. A second transformer and dedicated regulator are used for the control system, and a third transformer, custom-manufactured for Aesthetix, is used in the analogue sections, where six separate windings and regulation stages are used. The Romulus also features a further two transformers in its CD transport section.

The Romulus and Pandora USB input uses the asynchronous transfer mode licensed from Gordon Rankin / Wavelength Technologies with an ultra-low jitter fixed-frequency crystal clock immediately adjacent to the DAC. This technology allows for jitter levels over one hundred times lower than previous USB solutions. The same fixed-frequency crystal oscillator is used for the SPDIF inputs.

To combat computer generated noise pollution, optical couplers galvanically isolate the USB input and processing sections from the DSP section, including ground. While expensive and difficult to do, it achieves a huge sound quality improvement over a directly-connected USB section that allows noise to infiltrate the audio circuitry.

The Romulus features a dedicated Red Book CD transport using a special Teac audio-only mechanism. Instead of running from SPDIF or other jitter-prone serial connections, data is retrieved from the IDE bus. This allows the DAC’s master clock to be in total control, yielding the minimum possible level of jitter. Completely enclosed in its own faraday cage, the CD transport is electrically, mechanically and magnetically isolated from the rest of the DAC.

An optional high-resolution volume control can be added to the Romulus and Pandora, allowing them to directly drive a power amplifier. While most digital products control volume in the digital domain, such that every 6dB of volume attenuation causes a loss of 1 bit of resolution, Aesthetix’ volume control prevents all resolution loss by operating partially in the digital domain for small 1dB steps and partially in the analogue domain using relay-based switched resistors for large 6dB steps. Using this method, eighty-eight 1dB steps are created with zero loss of resolution.

The new Romulus & Pandora ‘Signature’ editions

Aesthetix ‘Signature’ editions are known for taking the circuit design of an existing model and bestowing it with ultra-high-quality components hand-picked to deliver the absolute peak of performance from that circuit design. The Romulus and Pandora Signatures are no exception, but also add DSD functionality.

True native DSD
The Romulus and Pandora Signature offer true native DSD playback: DSD 64 and DSD 128 over the USB inputs. The entire DSP processing section is replaced. The new section includes an advanced Xilinx gate-array which routes DSD data directly into the DAC, bypassing the DSP section for pure DSD operation. No alteration of DSD data occurs.

Peter Moncrief’s Dynamicaps
As with all Aesthetix Signature editions, critical coupling capacitors are replaced with Dynamicaps from Peter Moncrief. These provide increased resolution, less grain, greater high frequency extension and improved bass definition, drive and dynamics – all while maintaining the Romulus and Pandora’s beautifully natural tonal balance.

Vishay Z-Foil resistors
In addition to the new DSP section a new analogue board is installed, fitted with extremely low noise, high linearity Vishay Z-Foil audio resistors in the critical current-to-voltage conversion.

HRS Nimbus couplers
The four standard rubber feet are replaced with Harmonic Resolutions Systems’ Nimbus Couplers specially made for Aesthetix. This change lowers the noise floor and adds more air and space.

The new Romulus and Pandora Signature editions take what are already two of the best high-end DACs available and elevate them to skilful new heights. Digital noise, which typically creates an opaque and restricted soundstage, is almost entirely banished. Natural tonality, microscopic resolution, see-through clarity and an unimpeded, walk-around soundstage define the Aesthetix Signature difference.

Romulus & Pandora Signature key features:

Digital section
One USB and three SPDIF inputs:
Toslink optical capable of up to 24bit – 192kHz.
RCA Coax capable of up to 24bit – 192kHz.
AES/EBU capable of up to 24bit – 192kHz.
USB up to 24bit – 192kHz and DSD 128.
Optional second USB input.
USB asynchronous transfer mode licensed from Gordon Rankin / Wavelength Technologies.
Custom DSP-based digital section based around an advanced Xilinx gate-array.

Analogue section
Four valves in differential configuration (2 x 12AX7, 2 x 6DJ8/6922).
Zero feedback analogue circuitry.
Peter Moncrief’s ‘Dynamicaps’ coupling capacitors.
‘Vishay Z-Foil’ audio resistors in the critical current-to-voltage conversion stage.
Balanced and single-ended outputs.
Optional relay-based switched resistor analogue/digital volume control.

General features
All aluminium chassis construction.
Multiple stainless steel faraday cages isolate each of the digital, analogue and power supply sections, as well as the CD transport (Romulus).
Three transformers (Pandora): one for critical digital circuits, one for analogue circuits and one for control functions; plus two for the Romulus’ CD transport section (Romulus: five in total).
Custom ‘Nimbus Coupler’ isolating feet manufactured by Harmonic Resolutions Systems.
Full-function remote control.
RS232 control and 12v trigger for use with home automation systems.

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Following its world launch at International CES 2015 in January, Chord Electronics’ latest proprietary DAC, the 2Qute, is now shipping globally. Now in full production at Chord’s riverside Chord_2Qute Top WHTheadquarters in Kent, the hand-made 2Qute is arriving in dealerships around the world.

The new 2Qute, which replaces the Qute EX, takes Chord’s proprietary FPGA DAC technology from the Hugo mobile DAC/headphone amp and adds it to the compact, boutique Chordette range.

2Qute advances the Qute EX into 2015 with the latest Hugo DAC specification. It brings the latest technology into a ‘pure’ DAC (no amp), which contains the same Spartan 6 FPGA used in Hugo. The 2Qute also boasts low distortion levels of 0.0003%.

The 2Qute offers support for up to 32-bit/384kHz audio via coax and USB, and 24- bit/192kHz over optical. DSD64 is supported on all inputs and DSD128 is supported via coax or USB (all via DoP). The new DAC also gains a switch to easily move between coax, optical and USB digital inputs.

The device features a Class 2 USB input which, because of the 2Qute’s home-system orientation compared to Hugo’s more mobile aspirations, has been galvanically isolated. This has been achieved using a novel technique which allows for data rates of up to 384kHz; the input is driverless on Apple and Android devices, with (ASIO included) drivers for Windows devices. 

“The progression of the Qute, a 10,000 digital-tap-length series of  DACs started with the original product just four years ago, with the original 192kHz-capable Qute. It was followed a year later with the HD suffix when we gave the Qute full 384kHz capability, and the EX suffix followed when DSD capability and double-DSD (64 and 128) was added.

“All of these units famously used the same discrete pulse-array DAC board and it’s well known that Chord Electronics chose not to use industry-standard off-the-shelf chips sets. The development of these ground-breaking DAC designs gave Rob Watts, our design consultant, the proving ground for a totally new and holistic type of DAC design which was to become the mobile and desktop DAC, Hugo.

“Hugo has since become the benchmark by which all other DACs are judged and has just shy of 40 recommendations in the press; Hugo’s sonic credentials are undeniable. However, this gave Chord a problem: some customers were less keen on a mobile-orientated product in their home systems and felt Hugo had too many superfluous features for home use. They loved the idea of a simpler and ostensibly lower-cost DAC, but wanted the award-winning sound quality that only Hugo, with its digital tap-length of 26,000, can achieve.

“Rob Watts completely redesigned the Qute’s circuit board in order for it to contain Hugo performance levels without the mobile features, such as the volume control and batteries. Because the redesign was so extensive, we felt the Qute had to have a MkII designation, but 2Qute sounded undeniably better, so the name stuck!”

2Qute key features 

  • Coax, optical and USB digital inputs with input switch
  • Galvanically isolated Class 2 USB input up to 384kHz
  • Driverless operation on Apple and Android devices; drivers supplied for Windows
  • Support for up to 32-bit/384kHz audio via coax and USB, and 24-bit/192kHz via optical
  • DSD64 supported on all inputs, DSD128 supported via coax or USB input (all via DoP)
  • Source and sample rate indication/illumination
  • 12V 5A power supply provided

The new 2Qute DAC is available now Price: £995

 

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“The new Yggdrasil DAC from Schiit Audio is an entirely different take on “end-game” DAC design, eschewing the now-standard delta-sigma and DSD-optimized architectures to deliver optimal performance for the yggy-main-100099.99% of recorded music out there—music in PCM format” says the opening lines of Schiit’s latest press release.

“Yggdrasil was designed with a single goal in mind: to give you the most from the music you already have,” said Mike Moffat, Co-Founder of Schiit Audio. “It’s the end result of five years of research into digital filter algorithms, resulting in a unique closed-form digital filter running on an Analog Devices SHARC DSP processor, as well as four true 20-bit Analog Devices DACs running in differential configuration.”

Yggdrasil, or “Yggy,” as the DAC in known informally at Schiit, supports all PCM formats from 16/44 to 24/192 through all inputs, including USB, AES/EBU, BNC, Coaxial, and Toslink optical. From there, the all-new USB Gen 3 input receiver and Schiit’s proprietary Adapticlock™ system manages clock regeneration. The SHARC DSP processor implements Schiit’s proprietary 18,000+ tap digital filter algorithm at 352.8 or 384kHz sampling rate and 20-bit depth, which is then passed to the AD5791 DACs and a discrete JFET output buffer. Yggy outputs both balanced XLR and single-ended RCA (summed) analogue simultaneously.

“It’s the best DAC I know how to build,” Mike summed up. “We’re very proud of its performance—and we’re very excited to be able to deliver this level of performance to the overwhelming majority of PCM music that everyone already owns.”

Like all Schiit products, Yggdrasil is designed, engineered, and manufactured in the USA, with the vast majority of its total production cost going to companies manufacturing in the USA, and local assembly, testing, and support through Schiit’s Valencia, CA offices.

Yggdrasil, (in Norse legend, the “world tree” or source of all things) is available to order now on the schiit.com website for $2,299.

 

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The new DAC-200ts is no exception and represents our best digital product yet say Cary Audio! DAC_Cary_Audio

The new DAC is “packed with features like TruBit™ upsampling” and  utilises a 128 bit DSP engine that expands native bit depths to 32 bits and upsamples incoming rates to 1 of 7 selectable sample rates, up to 768 kHz.

Whether a signal is upsampled or left native, the signal is clocked several times with Cary’s OSO™ reclocking, then sent to 4 independent DACs for 8 channels of processing. Cary say that “using multiple parallel DACs ensures that the process of converting a true balanced or single ended digital signal will retain all the musicality stored within while transitioning it to a pure analogue signal that sounds like analogue!”

The analogue section of the DAC-200ts is uses Cary’s Dual Independent Output (DiO™) analogue topology utilising a separate solid state output stage and a separate vacuum tube output stage. “Not to be confused with a hybrid design where a circuit always has the same sound characteristic, the separate independent analogue output stages allow you to tailor the sound of the DAC-200ts to your source material with the simple touch of one button” says the company’s recent press release.  It continues “Having the ability to enhance the sound characteristics of the DAC-200ts to match your source material means maximum flexibility for maximum sonic benefit. Not only is the DAC-200ts a reference level digital source unit; it can also be used as a digital preamplifier using its 3.0 volt variable volume output. What’s more, a clock input allows for the use of an external master clock, or using the clock output allows the DAC-200ts to function as a master clock for other digital sources capable of a master clock input”.

The DAC-200ts supports super high resolution Asynchronous USB computer audio meaning PCM up to 32 bit/ 384 kHz as well as native DSD 64, 128, and 256 audio. Additionally, the DAC-200ts includes; CSR aptX® lossless Bluetooth, SPDIF coaxial and Toslink inputs, AES/EBU input and both fully balanced XLR and RCA outputs. Large VFD display, full function remote control, and Ethernet and Wi-Fi for control systems are also included.

Weight:  28 lbs.

Dimensions:  3.75″ H x 17.25″ W x 16.25 ” D

DAC-200ts Retail Price:  $3,995

The DAC-200ts will begin shipping on April 9, 2015.

 

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Acoustic Research have chosen Japan and the UK markets in which to launch the total rebirth of the 60 year old brand. ar-ua1-dac-small-2The UA1 is the first product from the new Acoustic Research Digital and High-End Division.

The 24/192 UA1 is a DAC designed to upgrade the sound from any computer, to deliver genuine High-Definition audio and play virtually any HD audio file via headphones, active speakers or Hi-Fi. It comes with a free copy of JRiver Media Centre software for Mac and Windows.

A huge amount of work has gone into the design of the digital, analogue AND the power stages.

As a Compact Portable DAC, the UA1 is USB host-powered so needs no mains supply. “The specifically engineered headphone amp is one of the most powerful available on any device like this and is able to drive the most serious headphones” says the company’s press release.

The small heavy DAC, is constructed of aerospace grade aluminium, with exceptional anti-vibration properties. High-end components are used throughout on a single circuit board. Build quality is exceptional. Damped rubber feet secure the UA1 when used on a desk.

Specifications

Digital-to-Analogue Converter 

– Burr-Brown PCM1794a

Current-Voltage Converter 

– Dual Burr-Brown OPA2134

Headphone Amplifier

– Texas Instrument TPA6120A2

– Power (THD < 0.01%) / 32 ohms 400mW + 400 mW / 300 ohms 43mW + 43mW

Input 

– USB 2.0 (host powered)

– USB Audio Class 2.0 (Asynchronous mode)

Output 

– Headphone Output (6.3 mm)

– Gold Plated Brass RCA (Right)

– Gold Plated Brass RCA (Left)

– Optical (TOSLINK)

Supported Formats

– 44.1 kHz – 48 kHz

– 88.2 kHz – 96 kHz

– 176.4 kHz

– 192 kHz (Analogue output only)

– Higher than 192 kHz (Supported through high precision conversion in JRiver Media Center)

– DSD64/DSD128 (Supported through high precision conversion in JRiver Media Centre) Sponsorship button