From my musical perspective, i’ve been noticing artists coming back into their music stride after many years of being quiet, or some new artists putting their musical twist on old classics. The internet has got a lot to do with this, as well as the close interaction we have between artist and fan. Twinned with the resurgence of […]
That’s correct, the band is actually called LNZNDRF. That’s kind of because it comprises of three members – Ben Lanz (from Beirut), Scott Devendorf and Bryan Devendorf (both from The National), i.e. Lanz ‘n’ Dorf, geddit? Okay, it’s not as snappy a title as, say, CHVRCHES or ALVVAYS – but at least they stood a good chance of registering an internet […]
It’s with a good degree of anticipation and trepidation that I pressed play when the promo for this new album by space rock stalwarts Hawkwind arrived on my desk this damp and miserable Friday afternoon. I’m a huge Hawkwind fan, seen them loads of times and have a shelf dedicated just to their CDs on […]
I first became aware of the film Whiplash when Mr and Mrs Pig both raved about it on Facebook so I was delighted when my son’s girlfriend arrived home one evening with the DVD. Whiplash is indeed a terrific film. I won’t give away too much about the story but basically a talented young jazz […]
Pure Hell, very much a punk band in the original form, hail from Philadelphia and were active in New York from 74 to 78 along with the likes of New York Dolls. Their sound is inspired, as many bands of this time were, by The Stooges and The MC5.
Space Rock, I LOVE Space Rock and Spirit’s Burning are a bit of a who’s who of the genre. The albums are put together from a disparate group of over 45 musicians all overseen at a distance by American producer Don Falcone.
“A blackstar need not have an event horizon, and may or may not be a transitional phase between a collapsing star and a singularity.”
Wikipedia has this to say about the genre that is Shoegaze “Shoegaze is a subgenre of alternative rock that emerged from the United Kingdom in the late 1980s and reached peak popularity in the early 1990s. The style is typified by significant use of distortion, feedback, obscured vocals and the blurring of component musical parts into indistinguishable “walls of sound”.
New Hifi Pig contributor Daniel Brown takes a look at some of the albums and EPs that he has discovered during the last year. Much of the stuff is very different to the usual audiophile fodder and there is some great stuff in here, so read on and you may well discover something new yourself!
Bittersweet, fragile, sad, angry, reflective – collectively these are all emotions which neatly lay the groundwork for Daughter’s sophomore album ‘Not To Disappear’. Though the band’s sound has developed since 2013’s highly successful debut ‘If You Leave’, it has not progressed so much that you would now struggle to recognise it. I guess the overriding […]
Ok, the first album review of 2016 isn’t an album at all but we won’t let that get in the way of things shall we! On the front of Arguments Yard there’s a picture of Attila wearing a black T Shirt that has a quote on it and the quote says “ Most people ignore […]
John Scott throws a log on the fire, pours himself a wee dram and puts on his copy of Mike Oldfield’s Ommadawn as part of his Classic Albums series of reviews.
Peter Eden produced twenty albums between 1968 and72, which were labelled “progressive British jazz”, fr labels such as Deram, Harvest, Argo and Island, but he also released three albums on his own Turtle Records imprint in 1970 and 71and ot is these three recordings we have here.
It’s that time of the month again when I eagerly open the padded envelope containing a CD from record label él. I say this every time I review one of their offerings, but it’s a great experience not really knowing what you are going to get. And so here we have Percy Faith “Malaguena: The […]
Some readers will know the name Cymande (Sah Mahn Day) from their three albums (Cymande, Second Time Round and Promised Heights) released in the early to mid-seventies, whilst others will be aware of some of their tunes (The Message) via samples used by De La Soul, Gang Starr and others.
John Scott looks at the classic album The Kinks Are The Village Green Preservation Society by The Kinks as part of the ongoing Classic Album series. “The Kinks was chosen as a name by the band’s manager Larry Page because it was slightly outrageous in the pre-swinging Sixties.”