Well, this re-release on Esoteric Recordings is certainly one for the progressive heads. The year is 1969 and Egg emerged from an earlier quartet with Steve Hillage going by the name of Uriel, but Egg founding members were Dave Stewart (No not the one of Eurythmics fame) on the organ, Mont Campbell on bass and vocals, plus Clive Brooks on the drums.
Egg finally got the record deal they were after in June 1969 when they signed to Decca , releasing the single “Seven is a Jolly Good Time” (it was in 7:4 time) which got favourable press but failed to make an impression on the hit parade. More »

I’ve had this record on vinyl for years but apart from the odd outing for Child in Time I’d not really given it the respect that others clearly think it deserves. Truth be known apart from Hawkwind my classic rock collection was pretty much confined to the shelves of the music room…this was until about a year ago when I had been chatting to Tony from NuNu Distribution who was saying how much he loved the album. I duly dug the record out, dusted it off (gave it a bath actually) and since then it’s had regular airings. Made In Japan often gets cited as being one of the very best live albums ever created and I can now appreciate why! More »

Now, I have been known to enjoy a bit of 10 000 Maniacs in the past but I never really got into them in any kind of big way and they were never top of my list when it came to choosing what got played next, so when Natalie Merchant’s eponymous album landed on my virtual doorstep, courtesy of HIGHRESAUDIO and on the Nonesuch Records label, I never put two and two together and connected her with the aforementioned Maniacs. I also must admit that I’ve not heard any of Natalie Merchant’s solo stuff since she quit the band in ’93…this may have been somewhat remiss of me I think! More »

Out yesterday in the UK and today in US, this album on Kompakt is one I’ve been looking forward to taking a listen to for a while now. Icelandic band Gus Gus and their Arabian Horse record were what initially highlighted the Kompakt label to me after a long time in the electronic music wilderness. More »

Induologue are Alexandra Lerta (vocals) and Vasilis Stefanopoulos (double bass) and is described as a dialogue between the voice and souble bass…simple enough then.

Blue Skies was recorded in a chapel in the woods of a Dutch National Reserve over a couple of days and this adds a really beautiful atmosphere to the record. The double bass’ tone is allowed to shine through and Vasalis’ playing is solid and forthright and yet sympathetic to Alexandra’s vocal, which in turn is understated yet strong. More »

Out now on the Comeme label The Silver Album from this self exiled Russian now living in Berlin is a difficult one to tie down and I must admit that on the first few listens I found it difficult to get my head around.

The Silver Album could never be accused of being easy listening and it does need to you engage your brain ans well as your feet. It’s forward thinking and somewhat avant-garde with its jarring acid basslines and Russian lyrics. I want to give it the label “Acid House” because it does have a feel of the early Acid Trax tunes, but there are perhaps elements of the early Antler Subway label in there too. More »

This is the first full length album for Elekfants Daniel and Leo who first met over 20 years ago when they played together in a blues band. Daniel is well known in his native Brazil and is something of a local hero where he is considered one of the country’s finest Djs. Leo on the other hand is a professional drummer, singer and composer and has played with some of Brazil’s best known artists.

Dark Tales and Love songs is accessible and in parts poppy but always in the same house/tech tradition  – it’s also beautifully engineered by D.O.Cs (the label) boss Gui Boratto. To me, musically it’s a little reminiscent of HotChip at their best and that’s a good thing I think! More »

Kompakt is fast becoming one of my favourite “go to” labels when it comes to techno but this release from Rebolledo is a bit different in that it’s actually a DJ mix…yes, remember them??

This is the first major outing for Rebolledo since his first full length debut Super Vato way back in 2011 and it contains exclusive edits and sought after remixes alongside original material from the likes of Barnt, Red Axes, Justus Kohnke and more. More »

“A perfect blend of a legend, a freak, a beast and a wookie.” –  Troy Sanders.

A strange thing happened today: unusually I was stumped at an appropriate way to start this particular review  and was mutely & vacantly staring at a blank document, but the  Mastodon frontman and Killer Be Killed protagonist has provided a fitting rubric for me… thanks Troy.  On paper at least, the prospect of this debut album from KBK is surely one of the most tantalizing of any metal supergroup ever and has metal fans worldwide practically slavering over its imminent release… with very good reason.  Allow me to introduce the participants: More »

What a great title for a record first of all! Badgers and Other Beings is an album of clever jazz featuring pianist, drums and bass. The Helge Lien Trio has been a bit of a hit on the jazz scene since their breakthrough album Hello Troll and it’s no wonder really. Lien is joined here by Frode Berg on bass and Per Oddvar Johansen on drums with the album having been recorded at Rainbow Studios in Oslo and released on the Ozella label. Here it was downloaded from HIGHRESAUDIO and the quality of the recording is again superb. More »

Recorded and mixed by Stefano Amerio in Italy on July 15th – 16th and November 1st 2013 Flowers of Sendai is released on the Bee Jazz label and here it’s been downloaded from HIGHRESAUDIO. The trio is made up of Jan Lundgren (piano), Mattias Svenson (bass) and Zoltan Csors JR (drums).

Style wise Flowers of Sendai is jazz of the accessible kind and not the kind of “challenging” jazz that you need a degree from the University of Cool to understand never mind enjoy.  More »

I was very excited when the post lady pipped and handed me the envelope that I knew would contain what is being heralded as “A stunning new album in the finest tradition of progressive rock and space rock” because being a bit of an ageing hippie I’m partial to both a smattering of prog and a healthy double dipped dose of space rock. But this hasn’t been the records only accolades and “the space opera that Pink Floyd never wrote” and “a prog rock War of the Worlds” whetted my appetite for this record even more.

This eponymous album is out on Cherry Red on the 28th of April and was recorded both in New York and London and has been co-produced and mixed by Youth of Killing Joke fame (I like a bit of Youth I do). More »

I really enjoyed the last Kaito offering, Until The End Of Time which came out in October on the Kompakt label calling it thoughtful and thought provoking and indeed this record could be summed up similarly – in fact it’s the same tunes bereft of their drum tracks.

Essentially it’s an ambient album that has a real dreamy, ethereal and trippy feel to it. Musically it is  grown up electronica which is both alien and recognisable, organic and yet synthetic. It’s not challenging music in any way and you’ll find yourself happy to close your eyes and drift with the exquisiteness of the delicate music that builds on repetitive themes adding new textures and new themes that have the effect of carrying you in different directions of thought and feeling.

For the Sunday morning come-down brigade this is in many ways the perfect record to sooth the twisted mind and allow bodies to readjust to normality after the weekends excesses.

A record for the psychonauts and inner-space cowboys but also clever enough to have much broader appeal I think  – perhaps folk who enjoy gentler classical music would do well to give this a listen. Out now on Kompakt and limited to 500 copies on vinyl.

More album reviews.

 

 

Melphi are a Dutch four piece and say that they are inspired by contemporary Scandinavian pop music. Through The Looking Glass is their first full length album being preceded by an unnamed EP in 2011.

The band were formed in 2010 by Rogier Telderman who writes most of the music here (and plays piano) but the the real focus of the band on this record is Lotte van Drunen the silky voiced vocalist. That said the musicianship on Through The Looking Glass is really pretty fabulous. Jurriaan Dekker on bass has a beautiful, solid and yet somewhat free-form style that complements Willem van der Krabben’s eminently danceable rhythms on drums and percussion.

Ok, I haven’t he faintest idea of what “Scandinavian pop” sounds like specifically but if this is what inspires Melphi then I’ll be exploring it a bit further after this.

Through The Looking Glass is jazzy, it’s soulful and whilst it’s definitely on the intelligent side of the pop spectrum it doesn’t lose itself in trying to be over clever and …noodly, though there are some very nice instrumental passages to be heard. The record remains solid, coherent and foottappingly infectious throughout. It’s musical and irresistible, soulful and uplifting.

The recording is very nicely done and carried out with a nice light touch that allows the music to shine through. there is a good deal of thought gone into the recording process and you can hear it. the individual musicians manage to keep their own personalities and musical identities throughout but are brought together to produce a wonderfully coherent noise throughout.

Through The Looking Glass is a great record of modern, jazz tinged rhythms with a soulful touch offered by the vocal style of Lotte van Drunen that will appeal to a wide audience. the record works as a whole and it’s recommended to listen as a whole but the standout track for me is Slow Motion…or perhaps Last Night….hell, it’s all very good indeed. Out now on Snip Records and downloaded in this instance from HIGHRESAUDIO. Recommended!

More album reviews.

 

This is the first of a couple of Hayes releases that I took a listen to this month and this particular album was released in ’78 on the Polydor label. For the Sake of Love was Hayes second studio album for the label and reached #15 on the US R&B album chart.

Just the Way You Are kicks off the album but the first three minutes of the tune are taken up with a breathy, spoken word (admittedly over a funky laidback instrumental) introduction before Hayes launches into his version of the well loved, and well known, Billy Joel classic proper. It’s a lush string lead and slow moving version that’s a real perfect vehicle for Hayes’ velevety vocal style and this is the style that continues through the next track, the Hayes’ penned and gospel tinged Believe In Me. More »

More funky disco rereleases here and I really make no apology for it…disco is making a comeback in the Hifi Pig household and we’re loving it. And so this time we have the expanded edition of the classic Patrick Adams Presents PHREEK. I think the opportunity to rediscover some of these classics from the 70s is most welcome and BBR (the label that are releasing a lot of these albums) should be applauded for making some real classics available to a new and younger (in some cases) audience.

Patrick Adams is a bit of a legend and the New Yorker contributed to no less than 32 gold and platinum releases, mainly on Salsoul and Prelude but also on the Atlantic label too. He’s worked with a veritable who’s who of disco including Sister Sledge, Loleatta Holloway and Jocelyn Brown…plus a whole load more. Listening to PHREEK you can certainly hear that the music has had a huge influence on modern day dance music, particularly the early 90s house scene. More »

As soon as I see that rainbow coloured logo and the name Salsoul I know I’m gonna just love the record it’s attached to – somewhere I’e got a press cutting of me Djing with the caption “Salsoul at Nine o’clock” underneath.

And the six original (and four remixed bonus tracks) on Street Sense really don’t disappoint at all despite this being the first Salsoul Orchestra record that Vince Montana Jr (whose brainchild TSO was) does not take part in. However, where Montana Jr left off legendary Dj and remixer Tom Moulton steps in on production duties with Thor Baldurson taking care of arrangements and conducting the orchestra. More »

I thoroughly enjoyed the sheer energy and other-worldliness sci-fi themes of Omen Opus’ Archives album I reviewed a couple of months ago and so was really looking forward to giving this CD a spin. It’s labelled as a two disc EP Album and was released in May 2012 on the brilliantly named Monty Maggot Records.

The first CD I picked out of the case was actually the Plague EP which is a four track EP that starts off with the hugely evocative and somewhat dark “Plague of Ten” (Plague Part 1) with lyrics written by Bridget Wishart who also provides lyrical content for parts II, III with the words for The Plague Part iV being provided by Thomas Nashe (1592). As I say Part I is ethereal and quite beautiful in its stripped down style whereas Part II (Plague of Fire) takes a completely different route with a stonking great effected bassline. It’s an equally dark track that’s difficult to tag a genre – it’s definitely rock but further than that I’m at a bit of a loss. More »

There’s a slew of great disco albums being released at the moment and I reviewed Loleatta Holloway’s “Queen of the Night” only a short while ago – any excuse as I’m quite a fan of this dance music legend and pleased her music is being made available to a new and younger generation. This eponymous album was first released in 1979 and represented Holloway’s third album on GoldMind/Salsoul and was the follow up to the aforementioned “Queen of the Night”.

Producers on this particular album include jazz futurist Floyd Smith, Bobby Womack and Bunny Siger using both the Sigma Sound Studios in Philadelphia and Muscle Shoals Sound Studios in Alabama,

This new release on BBR contains the original seven tunes plus four disco/extended version including a fabulous version of the album’s opening track “The Greatest Performance of my Life” by Paradise Garage’s legendary Larry Levan.

Musically Loleatta is much as you’d expect – disco-funk with Holloway’s gloriously soulful vocals over the top. The album kicks off with “The Greatest Performance of my Life” which is a belter of a tune telling a tragic tale. “It’s All About the Paper” was a single but it was this singles B side (“What You Said”) which is also on Holloway that grabbed the DJs of the days attention. More »

Well, this one came as a bit of a shock.  After several lineup changes, the temporary hijacking of the band’s material by increasingly egotistical frontman Andrew Stockdale and a break-up which lasted about a month, Wolfmother have pulled a Beyonce. No they haven’t been captured un-photogenically at a Superbowl half-time show, they’ve dropped a surprise new album.

When the Aussie lads burst onto the scene with their debut album a decade ago, they were a breath of fresh(ish) air blasting straight out of 1969 and into the charts and festival circuits. A lot has happened since then, critical and commercial failures, acrimonious lineup changes and Andrew Stockdale enjoying the view from up his own arse… so, are they still the kings of retro-rock? More »

Alan Wilkes (AKA Vinny Peculiar – his real name is “lame”) is a Salford (NW England) based singer songwriter and “The Root Mull Affect” is a collection of outtakes and remixes picked from 15 years of his recordings and represents his 10th album release.

Some will be aware of Vinny Peculiar and he has indeed worked with some well known folk in his time like Bill Drummond, Tom Robinson and Luke Haines whilst his various bands have included members of The Smiths, Oasis, Aztec Camera and the Fall.

The Root Mull Affect is a wonderful collection of tunes and kicks off with “A Vision” which is a great story of psychedelic whimsy of the day John Cooper Clarke joined The Beatles. The new remix of “Jesus Stole My Girlfriend” is superb and tells the story of …well you can guess I’m sure.

“Flatter and Deceive” is a pseudo-country number of Peculiar’s life up to the date of writing the song and is very “northern” with its deadpan and self effacing lyric – I lived this tune much as I really loved the whole of this record.It manages to blend humour, tragedy and pathos in equal measure (Confessions of a Sperm Donor is a perfect example) whilst remaining very much in the pop vein and very much accessible. Lyrically it tells wonderful short stories of every day life that are both funny and moving.

The Root Mull Affect came out on 10th March on Cherry red and comes very much recommended. It’s the perfect introduction to Peculiar’s work (which warrants further investigation for the uninitiated) and is a useful addition to existing fans’ collections. I found it highly addictive and lyrically it could only be the product of a Northern mind and made me feel right at home immediately!

If you watched television during the 60s and 70s (69 -74 to be more precise) in the UK then you will recognise, if not immediately, Peter Wyngarde’s Jason King character from ITC’s Department S program.

For those not familiar then take Austin Powers and inject it directly in the gentleman’s region with a gallon or so of testosterone and you’re beginning to get there. Peter Wyngarde’s character was a TV sleuth masquerading as a crime writing “shag-monster” who would seduce and “liberate” his on-screen conquests from their daily lives of drudgery and transport then to a world they’d only previously read about in seedy pulp fiction novels. More »

Slowly Rolling Camera is a British four piece band made up of Dionne Bennett (lyrics and vocals), Deri Roberts (sound design, electronics, trombone, additional saxophone and production), Elliot Bennett (drums and drum programming) and Dave Stapleton who is the composer as well as playing keys. There’s a whole host of other contributing musicians on the eponymous album (out now through Gearbox Records) and the guy that recorded and mixed this record (Andy Allan) may be familiar to some as he’s worked with Massive Attack and Portishead in the past …and this is where the heart of the Slowly Rolling Camera sound lies. More »

Fire were a late 60’s/70’s three piece band, The Magic Shoemaker (“a fairytale opera”) was released on the Pye label in 1970 and was recorded in January 1970 at the label’s studios in London. This reissue is re-mastered from the original master tapes by Ben Wiseman at the Audio Archiving Company and released on Esoteric Recordings.

Dave Lambert (guitars, percussion, piano and vocals), Bob Voice (drums, percussion and vocals) and Didck Dufall (bass guitar and vocals) made up the band with all tracks being written by Lambert. Dave Lambert later joined The Strawbs. More »

I must confess that I’m a bit of a new comer to Jazz but the more I explore its wide and varied sub genres the more I am enjoying it. Step up to the turntable Gearbox Records and Tubby Hayes “Seven Steps To Heaven: Live at The Hopbine 1972”.

Now, to aficionados of British Jazz I’m sure the name Tubby Hayes is well known, but to me it was a new I hate to confess and so a little history is perhaps in order for those readers in the same boat as me.

Hayes was born in London in 1935, is best known for his playing of tenor sax and has been regarded as one of the very best British jazz instrumentalists. At just 16 (in 1951) he joined Kenny Baker’s sextet and later played for lots of big-band leaders, but in 1955 he toured UK with his own band. He was a co-leader of The Jazz Couriers with Ronnie Scott from 1957 – 1959 and even had his own television series in the early 60s. Thanks Wiki. More »