Craig and Charlie Reid have come along way since they signed off the dole in a bleak benefit office on Edinburgh’s west side and signed onto the government’s Enterprise Allowance Scheme, with which they helped to fund the first six months of their musical career as The Proclaimers .  Ten albums, a musical and a film based on their songs, and a track in the Shrek soundtrack later, they are playing the second of two sold out gigs on their home turf, there’s a pre-Christmas buzz in the Edinburgh air and a palpable sense of excitement in the auditorium.  More »

Peter Eden produced twenty albums between 1968 and72, which were labelled “progressive British jazz”, fr labels such as Deram, Harvest, Argo and Island, but he also released three albums on his own Turtle Records imprint in 1970 and 71and ot is these three recordings we have here.  More »

It’s that time of the month again when I eagerly open the padded envelope containing a CD from record label él. I say this every time I review one of their offerings, but it’s a great experience not really knowing what you are going to get. And so here we have Percy Faith “Malaguena: The Music Of The Cuba/Kismet: Music From The Broadway Production”… so two albums on one CD essentially.  More »

Some readers will know the name Cymande (Sah Mahn Day) from their three albums (Cymande, Second Time Round and Promised Heights) released in the early to mid-seventies, whilst others will be aware of some of their tunes (The Message) via samples used by De La Soul, Gang Starr and others. More »

John Scott looks at the classic album The Kinks Are The Village Green Preservation Society by The Kinks as part of the ongoing Classic Album series.

“The Kinks was chosen as a name by the band’s manager Larry Page because it was slightly outrageous in the pre-swinging Sixties.” More »

Music has power.  The power to stir emotions and paint pictures in our imagination.  When Pink Floyd released their high-concept double album The Wall in 1979 its listeners were left to flesh out the storyline that the music and lyrics provided with whatever visual concepts their own brains provided.  Like no album before it though, The Wall called out for visual interpretation.  Pink Floyd’s live performances of the album mixed music and visuals in a way that no band had done before – building a physical wall between the band and audience and then projecting Gerald Scarfe’s animated interpretations of the story onto it, accompanied by huge, grotesque marionettes.  Alan Parker’s 1982 film adaptations of the story provided a fully realised visual framework for the storyline, the music  being somewhat relegated to a supporting narrative role. More »

Geoff Downes and Chris Braide released “ Pictures Of You”, their debut album as The Downes Braide Association, in 2012 after meeting at a Buggles reunion show in 2010.  Downes was already familiar to me from his work with The Buggles – I’m a big fan of their Age Of Plastic album – Yes and Asia.  Chris Braide was a new name to me but he has written and produced songs for Beyoncé, Lana del Ray, Paloma Faith, Christina Aguilera and Marc Almond amongst others so his pop pedigree is beyond doubt. More »

Let’s get this straight from the outset… the él record label is absolutely nuts!!! And I love its quirkiness and bottle for putting out albums of music that otherwise would be unlikely to see the light of day. Regular readers will have read other reviews I’ve done of the label’s output and it is nothing if not varied and eclectic. And this album is a continuation on that devil may care, plucky stance, for here on Escape In Time we have a collection of 24 popular British television themes of the 1960s and some incidental music from The Prisoner tacked on the end.  More »

Now I don’t often buy music on spec but when I heard this album playing in the local supermarket (of all places) I had to enquire what it was…I assumed given the track that was playing that it was something new from Neil Young that I’d not heard about. More »

Eloquence, The Complete Works’ is a compilation of ex-Kraftwerk percussionist Wolfgang Flür’s “pop” tunes from 2002 to today.

“I selected the tracks on ELOQUENCE to show the width of my artistic possibilities from lyric writing, melody development, working with my voice and my being involved in collaborations with interesting international artists” says Flür, continuing “With Kraftwerk, I was a drummer and device inventor. I only detected my own more melodic musicality after I left my former group. If Kraftwerk played minimal electro, then I now play ‘maximal electro’; for example, I have nothing against the sound of a trumpet in a song if it fits well, as in my track “Best Friend’s Birthday”. In this respect, ELOQUENCE charts my development from a drummer-boy to a melody inventor and story–telling man and it’s been a great journey for me which makes me happy.” More »

A man of few words – a phrase that has almost definitely never been used in relation to Elvis Costello.  Although he is every bit as much a tunesmith as a lyricist, it is his way with words that has made him one of rock music’s most respected songwriters.

Now Costello has written his memoirs, Unfaithful Music & Disappearing Ink, and has released an accompanying “soundtrack” collection, providing a 38 track overview of his career from pre-fame demos to brand new material.  More »

Last night 89 people lost their lives because they went to a rock concert in Paris.  Tonight, I’m at a rock concert and my thoughts, along with everyone in the audience, I suspect, are with that Bataclan audience and their families and loved ones.  Nils Lofgren has opened his shows on this tour with Too Many Miles, a song that he wrote in 2003 and that he describes as being about his personal demons, but tonight the lyrics – “There’s been too many fights in the name of love, there’s been too many tears and too much blood” take on a particular resonance.  More »

Mention Mike Valentine or Chasing the Dragon, and you should (if you visit the UK hifi shows) think of the dragonesque firey orange and red colours of the clothes and an equally flamboyant bright personality that goes with it. His Chasing the Dragon and Vivaldi Four Seasons LP/CDs are part of my reference review sources. His background at the BBC and his love for reel to reels and ultra hi-quality recording gear go hand and hand with my own life experience, and whilst I don’t always agree with everything he records, I sure get the point of what he is trying to do. More »

Janine Elliot takes a listen to the Album “A Swingin’ Safari”  which was  recorded in the Polydor Studio, Hamburg in 1961/62. The original analogue recordings from 1961/62 form the basis of Christoph Stickel’s unobtrusive “refurbishing” which aims to avoid any artistic intervention and here it is released on Reel to Reel tape from Horch House.  More »

Back in the murky mists of time, when I was around eight years old, I read a couple of children’s fantasy books by Alan Garner – The Weirdstone of Brisingamen and The Moon of Gomrath.  Filled with wizards, witches and evil magical creatures, they were terrific; I read them over and over back then.  I read them again just a couple of years ago and I still enjoyed them immensely.  More »

Kompakt’s Pop Ambient series of records has been going now for over ten years but still shows no signs of becoming tired or struggling for new and relevant material and artists. More »

Berlioz’s Symphonie Fantastique was one of my first classical purchases way back in the early 1980s.  I was initially attracted by the album’s sleeve notes, which alluded to febrile opium-induced nightmares.  Also, the instrumentation featured something called an ophicleide, which I hadn’t encountered before and I’m not sure that I have since. More »

The last time I saw Richard Thomson in concert, a member of the audience shouted: “Where’s Linda tonight Richard?”  Thompson replied that she was in hospital giving birth.  Linda gave birth to a daughter, Kami, who as one half of The Rails is opening tonight’s show.  The other half of The Rails is Kami’s husband, James. More »

Back in the 1980s, Yes vocalist Jon Anderson first mooted the idea of working with violinist Jean Luc Ponty but it has taken until now to make that reality. More »

King Crimson gigs are, it would seem, like buses – you wait 35 years for one and then 2 come along at once.  I’m happy to say that I was able to attend both of their recent Edinburgh shows. More »

This is not a new record having being released in 2009, but it is new to me and so I thought worthy of sharing it as I really enjoyed it.

William Orbit will not be a new name to many with my first exposure to his music being back in a dim and distant 90s when I got sent his Water From A Vine Leaf on Geurilla Records (and excellent label of the day). He’s produced for loads of people not least Madonna on her Ray Of Light and MDNA albums…both very good records by the way and which get regular play here at Hifi Pig towers. More »

Out now on Esoteric Antenna Ostinato is described as “a labour of love, built on forty years’ vision’ with Tayler commenting “I had so many ideas for music and sound running around inside my head as a teenager, and now, more than forty years on, technology has evolved to the point where I can realise this vision, as if the outer world and my inner music have finally synchronised, and the production of this album has at last made this possible.” More »

Hawkwind have a loyal following and you only need to look at the bust up between Nik Turner and Dave Brock and the camps fans have aligned themselves to understand that passions’ run high when it comes to this iconic space rock band.

Love In Space was originally recorded in 1995 whilst the band were on tour promoting the Alien 4 Album and was then released a year later. The line-up is Ron Tree on vocals, Dave Brock, Alan Davey and Richard Chadwick and to be fair to Ron Tree he does a great job in bringing a good deal of the feel of the original Bob Calvert to proceedings. Alan Davey is without a doubt my most favorite of bass players and he doesn’t disappoint here. More »

As the daughter of The Band’s Levon Helm, Amy Helm has spent her life surrounded by music.  The Band took a mix of rock and roll and traditional American music and invented the Americana genre, decades before the term became popular.  A particularly impressive feat considering that 4 out of the 5 members were Canadian, with Arkansas native Levon being the sole American.   More »

Is it really almost eighteen months since we last attended one of the Association Jazz Edge events? Let me put you in the picture dear reader. More »