Black Belt Eagle Scout (aka Portland-based Katherine Paul) is an indigenous queer musician whose debut album, Mother of My Children, is about “grief and love for people, but also about being a native person in what is the United States today.” Mother of My Children is out September 14th via Saddle Creek. After sharing lead single, “Soft Stud,” and then the brilliant “Just Lie Down”, Black Belt Eagle Scout now presents “Indians Never Die.” Directed by queer Diné Evan James Atwood, the “Indians Never Die” video was filmed on the ancestral lands of the Chinook, Chinnuk Wawa, and Tillamook tribes. More »
Tancred’s critically acclaimed new album Nightstand is out now on Polyvinyl Record Co./Hand In Hive. This autumn, Abbott will tour the US and UK with The Joy Formidable and Kississippi respectively. Dublin-based group The Winter Passing, that are signed to Big Scary Monsters, have just been announced as support for the UK tour dates. More »
Prolific Birmingham quintet Sunshine Frisbee Laserbeam are today premiering their brand new single “All The Way Over The Edge (Bros Don’t Talk About Anything)” at Stereogum. On a track that makes an immediate impact from the opening riff, its febrile energy, subject matter and crushing, jerking rhythms are characteristic of an album that makes you feel something at every turn. This first track is about the importance of being able to feel like you can talk about your mental health. Lead singer and guitarist Pete Dixon says; “I think the male condition stops us from sharing emotions we tend to either make light of things or brush it off completely and typically men don’t talk about our feelings until it’s too late.” More »
Cherry Red Records is both delighted and proud to announce the newly remastered and expanded release of Howard Jones debut album Human’s Lib and second album Dream Into Action.
News of a previously unreleased recording by any of jazz’s ‘holy trinity’ is a reason to get excited. Now two have come along in the space of a few months, for hot on the heels of Verve/Impulse’s chart-topping Coltrane release comes this precious lost treasure from the prime-era of Thelonious Monk, featuring a previously unreleased recording of his most critically acclaimed Quartet (with whom he also recorded ‘Criss-Cross’ and ‘Monk’s Dream’) live at Old Fellow Palæet, Copenhagen in 1963.
With the original tapes recently saved from a skip, some 55 years later the recordings have now been faithfully restored, mastered and cut using Gearbox’s legendary all-analogue process (even using the exact same lathe as Blue Note did back in the day). The result reveals a window into a performance that shows Monk in his prime, just one year before he would go on to become one of only 4 jazz artists to ever appear on the front cover of TIME magazine.
On 24th August, BMG will release a new self-titled album by Gilbert O’Sullivan. More »
UMC have announced today a huge 6-CD box set release that features all of Mott The Hoople’s recordings (
Following the recent announcement that legendary prog-rock band Camel will bring their acclaimed live show to London’s Royal Albert Hall in Sept 2018, the band are happy to reveal that this will be preceded by an extensive run of UK tour dates.
The Wedding Present are one of those bands that I seem to be intertwined with having seen them many times over a long period of time. The first time I remember seeing them was in Leeds in about 1994 at the Town and Country Club and not that long after they had released their single a month for a year (this was big news at the time) and one aspect that can always be said about the Weddos is that they have been consistent live, regardless of the line up, over the years. I have so many great memories of them playing from the first reunion tour, to the Cinerama days and the dual stage all-dayers they used to host at the Sheffield Leadmill, to walking past a bar in Atlanta and seeing them advertised as playing the following evening playing the Bizarro album in full and watching them in an entirely different cultural setting. So, when it was announced (on the Wednesday) that they were going to be playing in the very small The Lantern Venue in Halifax on the Sunday night for the upcoming Tommy tour I was keen to get tickets. More »
Some nights are not to be forgotten. Like the first night I saw Elvis Costello and The Attractions here at The Playhouse, back in 1981, rattling through a setlist that included a mashup – way before anyone knew what a mashup was – of Watching The Detectives and Stevie Wonder’s Masterblaster and later a spine-tingling cover of Randy Crawford’s One Day I’ll fly Away. Or the two night residency on The Spectacular Spinning Songbook tour where the content of the evening’s entertainment fell to the fates of a wheel of fortune. Or the night in 1991 when seeing Elvis on his Mighty Like A Rose tour meant that I missed the first tiny steps of my first born son. More »
2018 marks the 50th anniversary of Nils Lofgren’s life as a touring musician. By the time he was 18 he had garnered enough of a reputation to be asked by Neil Young to play on his After The Gold Rush album, going on to be involved in the infamous Tonight’s The Night album and tour. Lofgren went on to carve out a successful solo career – the support act on his 1977 UK tour was some guy called Tom Petty with his band The Heartbreakers – and when Bruce Springsteen needed a guitarist to replace Stevie Van Zandt in 1984, Lofgren got the call. It wouldn’t be unreasonable to think that after more than 30 years playing in what is almost certainly the hardest working band in the business, Lofgren might want to take some time out but that is obviously not the case; E Street down time is regularly filled by Lofgren’s solo shows. More »
They say that familiarity breeds contempt. It would seem that unfamiliarity does likewise. I’d mentioned to a few people over the last couple of weeks that I was going to see Josh Rouse; the response was invariably a variation on: “Never heard of him” and implicit in these statements was the conviction that if they hadn’t heard of him, he couldn’t be any good. More »
Nostalgia tours roll into town with rapid regularity. Missed one Seventies or Eighties hit-maker? There will be another along before you know it. Nostalgia sells. It’s less common though for someone who had their first number one in 1979 and their last top ten single in 1982 to come storming along with a set that draws heavily on their new album and yet delivers a credible, and relevant, performance. More »
I last saw Public Service Broadcasting three years ago, here in the Usher Hall, opening for the Kaiser Chiefs. As much as I enjoyed their set, I struggled to imagine how they might sustain their mix of electronics and newsreel audio and video samples over any more than forty five minutes without running out of steam. Tonight, I found out. More »
Edinburgh in March can be a cold, damp, miserable place. So used are we to wet, windy weather that we even have a special adjective to describe it: Dreich. If only there was a band who could bring a waft of warmth, a shaft of sunshine, a hint of hot African nights. Step forward then, London Astrobeat Orchestra for a two night residency at The Voodoo Rooms. More »
Bryan’s back in town and the Ferry fans are out in force; it seems unlikely that a bleached blonde in a blingy black blouse will anywhere to be seen outside of the Usher Hall tonight. And that’s as it should be; after all, septuagenarian sex symbols are in short supply and who knows when this one will pass this way again. More »
I’ve been a bit sniffy about tribute bands in the past, and deep in my bones I suspect I always might be; it’s the “it’s not really them” factor I suppose. But having seen three of the best in the business: The Australian Pink Floyd, The Musical Box and Rumours Of Fleetwood Mac, I’ve learned to appreciate how seriously these bands take the work they do and how much their fans love it as well. More »
Texan singer Chrysta Bell first came to my notice when she played Agent Tammy Preston in David Lynch’s Twin Peaks:The Return. CB, as she is known to her band mates, first met Lynch in 1999 and they have worked together on a number of musical projects including her debut solo album This Train and a 5 track EP Somewhere In The Nowhere, both of which were co-written and produced by Lynch. More »
Following their critically well-received slot as the opening act on Tubular Bells For Two’s UK tour last autumn, Gypsyfingers now embark on their first ever UK tour, with a brand new single, Half World, released to coincide with the dates. More »
I first heard Josh Rouse via his 1972 album – that’s his album called 1972, not his album recorded in 1972. Rouse was, in fact, born in 1972 so it would have been surprising, if not interesting, if he had recorded an album that year. More »
Legacy Audio will be at the Axpona Show in Chicago April 13-15 at the Reanassance Schaumberg Convention Center. They are in Utopia A on the Mezzanine level and will be exhibiting products including their new flagship Valor System. More »
It has been just over two years since the last time I saw Rumours Of Fleetwood Mac perform. The hook for this current tour is a 40th anniversary celebration of the Rumours album, although we are actually now closer to the 41st anniversary. The band has recently undergone a radical restructuring with original members Allan Cosgrove on drums and Dave Goldberg on keyboards, guitar and vocals being joined by two new female vocalists, and a new bassist and guitarist. More »